Archive for art spirit

On Editing as Improvisation, a review

Posted in Moments of Clarity, The Literateria with tags , , , , , , , , , on 11/30/2015 by Janet Fitch

I can’t stop thinking about a book I read this summer, Free Play: Improvisation in Life and Art by Stephen Nachmanovitch, especially the portion on revision. In honor of all the writers editing their work this winter, I wanted to share this wonderful book with you, specifically about its treatment of the revision process.  Good luck to all of you, I wish you good editing!

The right book at the right time saves lives, and man, you can say that about Free Play: Improvisation in Life and Art by Stephen Nachmanovitch

The thing about play in art, is it’s a sign of strength to spare, wind to spare, like someone running a marathon who breaks out into a pirouette. Sometimes working on a long project, the task just seems monstrous–like trying to build a gothic cathedral all by yourself. This book is a reminder, for a writer in long form, that it’s not stone on stone, a heavy, exhausting thing. That play, like the free jazz that the violinist author Nachmanovitch loves, makes heavy work light. That there are other ways to solve problems, other ways to approach the page, and that improvisation, the lightness of it, the in-the-momentness of its playfulness, IS the ‘air that falls through the net’ that Neruda describes.

Here’s my favorite part — on editing.

“In producing large works… we are perforce taking the results of many inspirations and melding them together into a flowing structure that has its own integrity and endures through time…. We arrange them, cook them, render them down,digest them. We add, subtract, reframe, shift, break part, melt together. The play of revision and editing transforms the raw into the cooked. This is a whole art unto itself, of vision and revision, playing again with the half-baked products of our prior play. …

“Editing must come from the same inspired joy and abandon as free improvisation…. There is a stereotyped belief that the muse in us acts from inspiration, while the editor in us acts from reason and judgment. But if we leave our imp or improviser out of the process, re-vision becomes impossible. If I see the paragraph I wrote last month as mere words on a page, they become dead and so do I…

“Some elements of artistic editing:1. deep feeling for the intentions beneath the surface; 2. sensual love of the language; 3. sense of elegance; and 4. ruthlessness. The first three can perhaps be summarized under the category of good taste, which involves sensation, sense of balance and knowledge of the medium, leavened with an appropriate sense of outrageousness….”

I will definitely put Free Play on the shelf right next to The Art Spirit within arm’s reach of my writing desk, to remind me about the air that falls through the net. I can’t be reminded of it enough.

 This review of Free Play  first appeared on my goodreads page. 

What is Art For? Last round…

Posted in The Literateria with tags , , , , on 08/15/2011 by Janet Fitch

I challenged the young writers on Figment to send me questions this week related to the purpose of art–What is Art For?  Not just “why I write”–ie my own personal reasons for doing this rather obsessive activity–but the value of literature as a cultural phenomenon. What art does for the human soul.

Here’s the complete post:

What is Art For?

In the past three weeks, I’ve been thinking with you about writing and writer’s issues. But when we talk about What Is Art For? we’re now turning around and asking, not just why we do this personally, how it fulfills our own creative needs and urges, but also, why we read, why we as human beings require this thing called art, this thing called literature. What is it we need here, why do we turn to literature to examine some of the deeper questions common to us as human beings?  And then how does that mesh with the needs of the artist as one individual, to create this thing called art.

Do you hate it when teens try to write/create ‘deep’ pieces of art or writing and it ends up forced and artsy fartsy?

Do you think that sometimes there should be no hidden meaning in a work? Just beauty?

Here is an interesting paradox, everyone is looking for the meaning of life, but what if there is no singular encompassing meaning of life? Do you believe that the meaning of life is different for everyone then? (Cassy blue)

I think that one arrives at deep places through a detailed consideration of the conflicts and problems of human existence. What’s cheesy and forced is to try to “be deep” without going through the work of living through something and having the characters actively moving from their own problems to the bigger issues inherent in those problems, and then coming back into the specific, the real.  A writing teacher I had once used to say, If you can have a character eat dinner and think about dinner,  or eat dinner and think about God, have them think about God.  Move to the big issues. People read literature to help them think bigger, to help them get out of just fixing dinner or drying out the basement.  Great writing has a girl and a boy breaking up, but then the character thinking more deeply about love, is it a curse or a blessing, does it exist, etc.  While dealing with the actual love and dinner and homework on the physical level.  Art is “for” thinking more deeply about what it means to be a human being on this earth. Explain it to someone from Mars.  Not in the abstract, but in terms of what really happens to us day to day.

I don’t think in terms of a hidden meaning in a work. I think the meaning, the sense of what it is to be a human, the bigger issue, is always there if a work is art–like the wood of a table. It’s an intrinsic part of what’s going on.

But I do believe in meaning, not just beauty, when we’re talking about writing.  Because you’re unpacking human experience. Words are not just colors–they’re individual capsules of meaning, like atoms, and we work them into chains, like molecules, called sentences, and they become organisms, that are called stories. There’s nothing but meaning. Or at least the potential for meaning, if the writer wants really shape a great table.

There is no single encompassing meaning of life–or let’s say, I don’t think a work of fiction is designed to carry it.  But I think each story is reflective of the writer’s sense of the world.  Do good people get screwed? Is optimism a good thing even if things don’t always work out? Each story conveys its own sense of the world, its own view of life.

Beauty is like the sugar that makes the medicine go down.

Although usually I don’t know what I think until I’ve written a story, searching always for “what the heck DO I think?”  As a writer, I come to know my own attitudes and world view by creating stories that I think are true.

I think there are some great themes in human thought and that we write, and we read other people’s work, to think about them more deeply. To become more human, more aware, more thoughtful, to expand our lives and experiences by living other people’s lives as well as our own.

Some of this week’s questions have already been answered in earlier topics. If you can’t find the answer to your question below, look at the earlier posts (and then a link to find them).

Do you think art/literature/etc is supposed to have some deep and hidden meaning or just be clear and simple in what it’s trying to express? Which do you prefer: the abstract and convoluted type that makes you think, or the clean and clear type that is easy to understand?  And thanks for answering so many questions! ^___^ (Annie)

I think things can be easily accessible or presented in a more mysterious way… it’s always the writer’s choice.

Do you see writing as an art, or just a profession? What is the difference between being an author and being a writer? (Fish Fingers and Custard)

I see it as an art.  It’s a profession for very few people (i.e. they make a living at it.)  Making a living has nothing to do with creating art.  An author is a published writer.

As an artist myself, I know that good art can mean many things for many different people. So what do you look for in art? Should it have meaning, good technique, beauty or a certain style? (Zara Olympia)

I look for all of the above.

Do you think writing is something that will always evolve? If yes, why do you think it keeps evolving? (Storm Adrian)

I think certain things keep evolving, style, formatting, attitudes, morality… but that the human being will always look to narrative to explain in some way this chaotic world we human beings live in. What’s nice about fiction, say, is that you can see the problems we all face sooner or later–but when it’s in real life, it usually happens too fast and in too overwhelming a manner to think about. Fiction is sort of our asbestos gloves, they help us handle these really hot problems before we go through them ourselves, figure out what we think.

Why do you write? (Kaitlyn Watson)

Because I don’t know what I think before I write.

Do you see your writing as a statement about yourself or a statement about the world? (Astralhaze)

Ah… aren’t I part of the world?

What makes us want to create something? Is it for us or for others? (Charlotte Jordan)

Usually it’s for ourselves–from our point of view…. but if we want to produce something more than a doodle, we’re aware that the writer only writes part of a work, the reader creates the other part in his or her head.

Why do we all keep on going? Why don’t we just stop and give up when we have writer’s block? What do you think makes us try harder? (Violet)

We don’t all keep going. Only the people who love sentences and meaning and narrative and the imagination enough to want to suffer the insecurity and doubt and sheer grunt work will keep going.  We want to try harder because we want to get it right, and because we admire writers who have gone before us.

How do you know you’re a writer? What makes us different from other artists? When do you know it’s the right time to let a story go and move on? (Caspian)

If you write, you’re a writer. Different from other artists in that we handle units of meaning. Our work really has no materials but ideas in the reader’s head.  We create a world in someone else’s mind.  I let a story go when I’ve finished it and it still doesn’t satisfy me.

Does art and writing really have a meaning or are we making up meanings? (Zara Olympia)

I don’t think there’s any difference, in the case of writing.  Not necessarily a hidden meaning, like a secret drawer, but the work itself resonates meaning.

Is a picture really worth a thousand words? (Incendio)

No. Especially not now in the age of photoshop!  (That was in the day of “I’ll believe it when i see it.”)  They do two different things. I don’t think they’re interchangeable.

I get inspired to write by my art, and I am inspired to paint by my writing. DO you feel the same way about writing and another form of art like I do? (Savannah Ettinger)

Yes, that’s why I’m always exposing myself to the other arts.  Definitely.

Art describes things with pictures whereas writing describes things with words. Which is better to you, describing things with words or pictures? Which one is more eloquent? (Zara Olympia)

I wouldn’t ordinate them.

Is the meaning of different stories easier to find then the meaning of different art pieces? (Zara Olympia)

The word, the literary arts, are nothing but meaning.  Visual art stirs us on other levels.

Should art show a story or convey emotions, or do both? (Zara Olympia)

The story is the means to create the emotion.

What is your favorite thing about art? (Zara Olympia)

It reaches into the deepest parts of our souls. It makes us more human, it helps us understand the reality of other human beings.  It creates empathy and dignity and respect.

What is your favorite medium? (Zara Olympia)

The word.

What is your favorite color? (Zara Olympia)

Depends. Like green a lot now. But have a lot of red in my house, my car is red.

What inspires you to draw and write? Is it the way something looks, an object that sparks an idea? (Zara Olympia)

The challenge. Can I describe this? Can I use words to capture that light, the way it’s falling on that tree?

If you could have any piece of art which one would you have? (Zara Olympia)

Piece of visual art?  Sigh… Van Gogh’s Arlesienne? Degas’ Red Room (lady with fan)?  Vuillard’s big garden on brown paper?

Have you ever seen any of your stories “come to life” in the real world? (Deepshikha)

I find that I write things and people say, “Oh, that exact thing happened to me.” Often. It’s a thrill.

What is your muse, what inspires you to write, and why do you write? (Emiana West)

Great writers of the past are my muses. They were the ones who made me want to write.

When you write, do you ever feel it is pointless, like no one really cares? What keeps you going? (Lucy)

No.  I never feel it’s pointless. I do it because I am curious, and I like the life of the imagination.

Have you ever written a small unpublished book about food, people eating food, nutella, or some food that has been poisoned? Those books are really interesting if you think about it… (Britt. That’s It.)

You should always put food in your work. Food, someone to worry about, some kind of battle or cause or desire, and light.

What inspires and motivates you? (Megan G)

Writing itself inspires me. I write a sentence I wasn’t intending to write.  Wow!  Where does that go?

How do you develop characters? Do you model them after someone you know, or make them up completely? And how do you decide on their names? (Megan G)

They’re usually a piece of myself that want to be expressed in the form of someone who’s not me.  I get their outer form from other people, even actors.  I just feel my way into their names.

Would you still write if you couldn’t share your work? (Hyphen Norso)

Absolutely.

Do you understand modern art? (In general, I don’t…so just wondering.) (Holly Blackwood)

Art needs to be felt–there’s also a history, each work is in conversation with the art of the past and the times in which it’s created.

In your opinion, what defines an artist? (Holly Blackwood)

Someone who wants to express something inside using materials of art.

They say a picture is worth 1,000 words. Do you agree? (Holly Blackwood)

Depends on the picture, depends on your words.

In your opinion, is a writer an artist? (Holly Blackwood)

A writer with the goal of creating art is an artist. Without – just a laborer.

What are your favorite types of art? (Holly Blackwood)

ALL.

How do you think an artist differs from a writer? (Holly Blackwood)

A visual artist vs. a literary artist?  Fiction writers work with narrative which is meaning and time. Visual art can be seen all at once, and is not about meaning necessarily.

How do you feel about the smell of paint? (Holly Blackwood)

(I hate it.)  I like oil paints. My aunt was a painter, it reminds me of her.

What do you think motivated VanGogh to chop off his ear? (Holly Blackwood)

Don’t remember.  He was mentally ill at the time, I think.

Do you buy individually sliced cheese? (Holly Blackwood)

No.

(I just had to ask) Sorry for the question overload and thanks for your time! (Holly Blackwood)

After finding inspiration, how do you go about putting it into words? (Sofie Stone)

I start in, and the words roll. Then I question the words–’it was high’–well, how high was it?

Can I think a bigger thought here?

How far out of your personal experiences do you feel you can accurately write? (Rachel H.)

As far as the imagination will take you.  But then make sure you check after you’ve written and make sure you get it right.

When you think of art, do you think of one kind of art (such as just writing, or just theater arts)? (Maria E.B. Brandt)

Love all the arts.

Some of my friends love writing, yet are afraid to show their (wonderful!) writing to the world. What would you say to them? (Maria E.B. Brandt)

Show it to someone they KNOW will love it, loves them and will love whatever they do. Never criticize or “help” someone in this position.

Art and writing is a way of describing yourself, so how do you think your art and writing describes you? (Zara Olympia)

Ah. In some ways it’s a perfect blueprint of me and my anxieties and interests. But this will have to remain mysterious.

Do you put part of yourself in your art and writing? (Zara Olympia)

Yes, absolutely. My heart, my soul, my everything.

Which do you think can hold the most meaning at a glance: a picture or the written word? (Nox Zand)

A picture. It’s experienced all at once, where fiction or even poetry, is experienced, in time, one word after another. A person with Alzheimer’s can enjoy a painting or a bit of music but cannot assemble words into a narrative in their minds.

Have you ever written about a bad experience to cope (or maybe just a conversation with your friend, you know, something like that) and then it just blows up into something bigger? Not necessarily a novel but something developed and plotted and whatnot? (ASM Michellins)

Sure, all the time. But fictionalized, happening in a heightened or clearer way.

MISCELLANEA

Are you a writer that draws on events and places in your life for settings and book? (Cassy blue)

Yes, but in disguise.

Do you feel that writing about your hometown could mark you as being lazy? (Cassy blue)

Absolutely not.  Who knows it better than you? Ask Faulkner, he wasn’t lazy at all.

Have you ever considered turning your books into comics or graphic novels? (Cassy blue)

No. Though it would be fun to do one from scratch.

Do you draw your characters before you can write the book, otherwise it is futile? (Cassy blue)

No, I know some of them and as I write, I get to know them better.

“Which came first the chicken or the egg?” Do you hate questions like that? (Cassy blue)

The egg came first.  Because before the chicken there was a lizard, which also laid eggs. And before that a fish, that also had eggs.

Have you ever felt that you need to finish a story, even though another story calls you so enticingly? (Cassy blue)

Often that other story entices you because it’s hard to finish a story. Make a few notes and go back to your story.

When your computer doesn’t work, do you view this as a punishment by the universe? lol (Cassy blue)

No, I usually think it’s my fault for not backing up.

Do you visualize what your character will be like before putting pen to paper? (Marissa S.)

Yes, in a fuzzy sort of way.

Do you like Harry Potter? Why or why not? (Venatrix Captrix)

I am a big proponent of people reading books that are a little harder than what they can comfortably read. Harry Potter would be right for someone nine or so.  I have nothing against it, but I think people who are capable of reading tougher books should read ‘up’.